Alexander Brodsky and Ilya Utkin are the perfect recognized of a loosely organised group of Soviet artists often called “Paper Architects,” who designed a lot however constructed little within the early days of Glasnost, within the late 1980s. A lot of their elaborate etchings, wherein they depicted outlandish, usually unattainable, constructions and cityscapes of allegorical content material, had been collected in our 1990 e-book Brodsky & Utkin, and our 2003 reprint which included an extra forty-three new and never-before-published prints.
Of their designs, by turns humorous, cerebral, and deeply human, Brodsky & Utkin borrow from Egyptian tombs, Ledoux’s visionary structure, Le Corbusier’s city grasp plans, and different historic precedents, collaging these heterogeneous types in realized and layered scrambles. Underlying the wit and visible inventiveness is an unmistakable ethical: that the dehumanizing structure of the kind seen in Russian cities within the 1980s and 1990s, and elsewhere across the globe, takes a sinister toll…
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