The central argument of “Chromophobia” is {that a} chromophobic impulse – a worry of corruption or contamination by color – lurks inside a lot Western cultural and mental thought. That is obvious within the many and assorted makes an attempt to purge color, both by making it the property of some ‘international physique’ – the oriental, the female, the childish, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the beauty. Chromophobia has been a cultural phenomenon since historic Greek occasions; this e-book is anxious with types of resistance to it. Writers have tended to look no additional than the top of the nineteenth century. David Batchelor seeks to transcend the boundaries of earlier research, analysing the motivations behind chromophobia and contemplating the work of writers and artists who’ve been ready to have a look at color as a constructive worth. Exploring a variety of images together with Melville’s “Nice White Whale”, Huxley’s “Reflections on Mescaline”, and Le Corbusier’s “Journey to the East”, Batchelor additionally discusses the usage of color in Pop, Minimal, and newer artwork.
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