This re-creation focuses on the Sonnets as poetry – generally strikingly particular person poems, however usually subtly interlinked in thematic, imagistic and different groupings. Gwynne Evans and Anthony Hecht additionally handle the various questions that solid a veil of thriller over the genesis of the Sonnets: to what extent are they autobiographical? What’s the nature of the ‘love’, strongly expressed, between the ‘poet’, the ‘youth’ and the ‘Darkish Woman’? Can they, other than the poet, be recognized? Who’s the ‘rival poet’? When have been the Sonnets written and in what order? What have been the circumstances surrounding their publication?
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