The Beetle (1897) tells the story of a fantastical creature, “born of neither god nor man,” with supernatural and hypnotic powers, who stalks British politician Paul Lessingham by way of fin de siecle London looking for vengeance for the defilement of a sacred tomb in Egypt. In imitation of assorted in style fiction genres of the late nineteenth century, Marsh unfolds a story of terror, late imperial fears, and the “return of the repressed,” by way of which the disaster of late imperial Englishness is revealed.
This Broadview version features a important introduction and a wealthy number of historic paperwork that situate the novel throughout the contexts of fin de siecle London, England’s curiosity and involvement in Egypt, the emergence of the New Lady, and modern theories of mesmerism and animal magnetism.
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