Starting with Cimabue and Giotto within the thirteenth century, Vasari traces the event of Italian artwork throughout three centuries to the golden epoch of Leonardo and Michelangelo. Nice males, and their immortal works, are introduced vividly to life, as Vasari depicts the younger Giotto scratching his first drawings on stone; Donatello gazing at Brunelleschi’s crucifix; and Michelangelo’s painstaking work on the Sistine Chapel, harassed by the impatient Pope Julius II. The Lives additionally convey a lot about Vasari himself and his excellent skills as a critic impressed by his ardour for artwork.
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