The aim of this work is to ascertain the connection between the Romantic drama in France of the interval 1829-1843 (circa) and the melodrama or “in style tragedy” which flourished within the second-class theatres throughout the first three many years of the nineteenth century. For the reason that essence of the melodrama of that interval is discovered within the works of Guilbert de Pixerecourt (a truth which no scholar of French literature will deny) it has been thought adequate to pay attention consideration on these works and their reference to the Romantic drama, fairly than to deal with all or numerous the numerous authors of melodrama who helped to flood the favored stage at the moment.
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