A feminist-inflected investigation of shade and image-driven client tradition, Glass Life brings collectively Sara Cwynar’s multilayered portraits and stills from the movies Mushy Movie (2016), Rose Gold (2017), and Purple Movie (2018). Cwynar’s research-driven and visually advanced pictures represent the hallmarks of up to date post-Photos Technology work–during which images is pursued in relation to movie, sculpture, digital tradition, and the cultural and technological historical past of image-making. Cwynar’s work revolves round her curiosity in subjective notions of magnificence by means of pictures; the fetishization of client objects and colours; and the exploration of the casual picture archives which have emerged across the industrialization and capitalization of those concepts. As a part of her core follow, Cwynar collects, arranges, and archives her eBay purchases and creates studio research of those client objects, exploring how pictures flow into on-line and the way the lives and functions of each bodily objects and their likenesses change over time. Sara Cwynar: Glass Life is a must have sourcebook for understanding the multilayered follow of this celebrated, multidisciplinary artist.
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