“An absolute tune for an ongoing go to with timelessness.” — The New York Occasions
This graphic novel by an Expressionist grasp gives a surprising depiction of city Europe between the world wars. First revealed in Germany in 1925, it presents unforgettable pictures from the tense and dynamic Weimar interval, rendered in 100 woodcuts of outstanding power and wonder.
A pacifist throughout World Struggle I, Belgian-born Frans Masereel (1889-1972) sympathized with the struggles of the working lessons and strived to make his artwork accessible to abnormal individuals. His evocative woodcuts convey scenes of labor and leisure, wealth and deprivation, and pleasure and loneliness. Banned by the Nazis, Masereel’s works had been championed in Communist international locations; nonetheless, the artist steered away from political affiliations. His readability of imaginative and prescient transcends any propagandist use of the photographs, which stand as timeless indictments of oppression and injustice.
Thomas Mann described Masereel’s works as “so unusually compelling, so deeply felt, so wealthy in concepts that one by no means tires of taking a look at them.” Epic and unflinching in its scope, The Metropolis continues to affect trendy high quality and graphic artwork, whereas recapturing the temper of a vanished period.
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