Because the ultimate demise of apartheid in 1994, South Africa has undergone dramatic modifications within the political, social, and financial sphere. It isn’t shocking that these modifications have additionally resulted in contentious reassessments of current historical past. Many up to date South African writers have taken up the problem and created works providing new methods of critically re-imagining the nation’s violent previous. Whereas André P. Brink’s “Imaginings of Sand” and Zakes “Mda’s Methods of Dying” represent renegotiations of the previous in the course of the interval of transition, J. M. Coetzee’s “Shame” and Phaswane Mpe’s “Welcome to our Hillbrow” characterize deliberations of a previous that has been hampered in its change by a flawed transition. Simply as historical past can by no means be taken at face worth and by no means constitutes a finite, all-inclusive narration of the previous, the ‘historic accounts’ supplied in these texts typically current a one-sided image of historical past when thought of solely on their representational degree. On the metafictional degree, nevertheless, these texts typically put such ‘misreadings’ into perspective and, in doing so, open up an in any other case monochrome reflection of South Africa’s rainbow.
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