This quantity presents transdisciplinary views on the research of performing and efficiency in transferring picture varieties. It assembles 26 worldwide students from dance, theatre, movie, media and cultural research, artwork historical past and philosophy to analyze the artwork of performing and the presence of the human physique in analog and digital movie, animation and video artwork. The amount contains classical case research and essays dedicated to performing historical past and performing and genres, however its explicit emphasis is on introducing a variety of groundbreaking theoretical approaches – from continental and analytic philosophy to new media idea and cognitivist analysis – all of which interrogate the elemental conceptions of “act” and “actor” that underwrite each widespread and educational notions of efficiency in transferring picture tradition.
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