Marc Brandenburg (* 1965) strolls by way of cities, photographing his impressions after which drawing them “like a human photocopier.” On this nearly meditative course of, he finds magnificence in social situations. His pencil drawings, reversed into negatives, seize on a regular basis, ephemeral motifs. Brandenburg is concerned about moments when internal and outer states unite, when human beings merge with their costumes, their clothes, or their dwellings. Formal and conceptual features of drawing, in addition to a basic examination of illustration, are extra necessary to him than the motifs themselves. The publication Hirnsturm II accompanies the exhibition of the identical title, a visible essay that mixes drawings from a interval of over 25 years with more moderen works.
Textual content in English and German.
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